The Bygone Bureau rounded up a series of reactions to the release of the fourth season of Arrested Development. And I was happy to be asked for my thoughts. It just went up today. My piece is somewhere in the mix there. Click here to check it out!
This is the last of my updates on the essay I published last week on the strangely huge impact Arrested Development had on my life. If you haven't yet had a chance to check it out, I'd highly recommend you take yourself to The Bygone Bureau and give it a look-see ASAP. Yes, I know I'm biased, but the interwebs are basically a giant swirling mass of biases, so I'm just adding my drop to the ocean.
And since this was the spot where a few short months ago I renounced hope, only to relapse badly a couple weeks later, I figure this would be as good a spot as any to revisit that notion.
Yes, I'm back in the hope business. But it's more a toughened-up, cube-steak hope than the wide-eyed, cotton candy variety. My hope is Sisyphus' hope as he stands with his hands on his hips at the bottom of the hill, knowing what's likely to happen, but always in the business of thinking something else might be possible.
It's been a tough year, publishing-wise. It started out with high hopes and
a swirl of good news, only for it to slowly evaporate as the months dragged
on. Dark times call for soul-searching. As I was wandering through the foggy corridors of the interior, I came eyeball-to-eyeball with a surprising (to me) fact: I have been submitting stories, essays and novels to literary journals and agents and contests on a consistent basis for almost twenty years. That means for nearly half my life I've been on tenterhooks, awaiting responses on submissions -- trapped in a perpetual state of hope.
I'm starting to wonder if hope might not be an addictive substance, as damaging as the most seductive narcotic. Does that sound cynical? Perhaps. But bear with me as I examine some side effects of hope. I find myself constantly checking email, waiting for a response. Good news, when it comes, is inevitably buried under drifts of bad news. And even when there is good news, the high it produces is never as strong as I imagine it should be. Through it all, what does hope imbue me with most? Paralysis -- a sense of constantly waiting for things to change. I'm a hope-junky.
So it's time to go cold turkey. My resolution, if that's what you want to call it, is to go for an entire year without submitting one piece of writing. No contests, no lit journals, no queries. There's still a backlog of submitted pieces, which should take a few months to work its way out of the submission process bloodstream -- so it probably won't be until this summer that hope will be officially purged from my system. Then I'll be able to experience life without hope. I'm calling this experiment a submission-fast. (My freelance work is exempt from this fast due to the fact that I'm not subjecting those pieces to judgment. They're already commissioned, so the people paying me for them don't really have a choice. And I don't have to hope that they'll get accepted.)
What do I expect to accomplish from this? Aesceticism aside, the expectation is that by spending some time with absolutely no thoughts of submission, of purging the notion of hope from my psyche, I'll see if in fact it's better to live without it. Do I feel better day-to-day, not needing to check my email? Do I sleep better at night, not thinking if I should have put something else in a cover letter? Most importantly, will I be more productive with my time, not having to spend hour upon hour looking for submission sites and preparing the submissions? A positive side effect might also be to get back to writing for the sheer thrill of it. After all, if you don't expect anyone to ever see what you're writing, that can be liberating to write whatever the hell you want.
That's why I'm doing this. I'll report back as the year unfolds.
I recently picked up a freelancing opportunity where I'll be writing introductory essays for literary anthologies. One of them is the Literature of Propaganda and the other is the Literature of Manifesto. The essays themselves are heavily proscribed pieces, in which every paragraph has a specific thesis and strict word count. Writing them ends up being more of a puzzle-building exercise than any kind of creative process. But the challenge is fairly enjoyable so far.
Of course, the fiction has had to take a backseat because of this project. Which is turning out to be a bit of a sacrifice because I've got a new short story working its way through the pipeline and I'm itching to get it wrapped up. Fortunately, most of the big short story outlets seem to be closed to submissions until the fall, so I'm hoping to get the time to put the finishing touches on it this August and start sending it out in September.
This is a repository for all my semi-filtered thoughts on... blah, blah, blah.