Got some fun readings coming up this month, and it'd be boss if you could join me!
First one will be at my favorite all-time reading venue: Jimmy's Woodlawn Tap. In addition to being right in my hood, this is a historic Hyde Park bar with a lot of friendly faces and a great room for spitting some words. The lineup will include Joe Peterson who's launching his new short story collection, 99 Bottles, and Stuart Ross who's got a brand new novel coming out with Tortoise Books, called Jenny in Corona. Here are the details:
Date: November 9
Time: 2:00 PM
Location: Jimmy's Woodlawn Tap, 1172 E. 55th Street, Chicago
The second event is one I'm incredibly excited to be part of. It's a fundraiser/book launch for Hypertext Review. For those who don't know, Hypertext Review -- in addition to being a kick-ass literary magazine -- is a studio that brings story-telling classes to underserved populations throughout Chicago. This event will be a launch for the new issue of the magazine, but it'll be also be a fundraiser so they can continue to support their incredible mission. The bonus here is that the event will be at the Hideout, which I've never read at before, but have always wanted to. Kind of a dream come true for me. Here are the details:
Date: November 13
Location: The Hideout, 1354 W. Wabansia, Chicago
Hope to see you at either or both of these events!
It is with great sadness that we let friends and family know that our good boy Tanka has transitioned into the next plane.
Tanka became a part of our family in 2012, when we adopted him from the Great Pyrenees Rescue of Central Illinois. They estimate he was at least five years old at the time, and his adoptive name was Buzz, due to the fact that he was found wandering around downstate Illinois with his hair shaved. Buzz, soon be known as Tanka, was chosen to live with us by his sister, Kaiya, who, like most who would come to know him, was drawn to his gentle energy and calm presence.
Tanka was very much a stereotype of his breed. First of all, he was stubborn. Probably the thing he was most adamant about was getting his walks. We could take the most winding, circuitous route imaginable, but as soon as we turned a corner headed for home, he'd recognize it, and immediately start sniffing at every little thing in order to prolong the excursion.
Second of all, he had an inordinate amount of patience. He could be nipped at by little dogs, beset upon by strangers, photographed by tourists, yet he took it all with a calm, generous and humble spirit. There is a lesson here for all of us, should we care to recognize it.
And finally, true to his breed, Tanka was strong. When it came time to chase ducks or geese or squirrels, we came to know the full power of his strength. On more than one occasion, we were dragged by the leash that was attached to him. He was also strong in other ways. When his body began to fail him, when it could no longer keep up with his indomitable spirit, he bore that affront with a strength and dignity we all could only hope to possess.
The last thing people should know about Tanka (and if you were lucky enough to meet him you already know this) is that he was incredibly loved by anyone and everyone who met him. People would pet him one time on the street and forever after they would ask about him. He had the kind of soul that makes you feel better just to be around it.
Tanka has moved on now, and the hole in our hearts is gigantic. But he's joined his sister, Kaiya, and his brother, Niko, and all the other good cousin and friend pups who have been waiting for him. Where he is now, his legs once again work, his bladder is full, and he's marking this new and exciting territory the best way he knows how. We love you, boy, so much.
My short story collection, What We Build Upon the Ruins, was named a finalist for the 2018 High Plains Book Award in the category of short fiction. I am incredibly honored and grateful and honored to receive this distinction -- mostly because it means I get to take part in the High Plains Book Festival, which runs from October 18-20. Follow the above link to check out the entire festival schedule. But if you want to know what I'll be doing, I can confirm that I'll be reading at 11:00 AM on Saturday, October 20, at the Yellowstone Art Museum. Local bookstore, This House of Books, will have copies of my book on hand and I'll have my signing pen with me. I hope you can make it!
I'm thrilled to let folks know that I'll be putting on a workshop at the upcoming Conversations & Connections writers' conference in Arlington, VA, on May 12. This is a one-day conference that focuses on practical advice for writers and is put on the by the good folks at Barrelhouse Magazine.
My workshop will focus specifically on how to get more out of your dialogue, both story-wise and character-wise. I'm super excited about this workshop, and I've even put together a PowerPoint for it. So, yeah, it's pretty serious.
If you're in the DC area, they still have a few more tickets left, so be sure to sign up and show up!
Things here have finally started to slow down, after the rush of excitement and activity surrounding the launch of the collection (in addition to about a hundred other things that were going on this past fall.) As such, I'm going to run a couple posts here compiling some of the various press thingies that I had the opportunity to do. First off, here is a list of the print interviews I got to do. These were a ton of fun and made me think a LOT. I also go to meet some really cool literary folks in the process. So here they are:
"Go Down to the River": Courtney Harler Interviews Author Giano Cromley, in Chicago Literati
'Microscopic gaze' is key to Cromley's literary approach, in Billings Gazette
Writer's to Watch: Giano Cromley, in Origins Journal
One Question: Giano Cromley, in Hypertext Magazine.
Book Notes - Giano Cromley "What We Build Upon the Ruins," on Largehearted Boy (This isn't a traditional interview, but I wasn't sure where else to put this one.)
Putting the Fractured Pieces Back Together: An Interview with Giano Cromley, author of What We Build Upon the Ruins, on Cease, Cows
Interview with Giano Cromley, author of What We Build Upon the Ruins, on Steph Post's author page
The Writer's Handful with Giano Cromley, on Patricia Ann McNair's Things Writerly and Readerly
My First Time: Giano Cromley, on The Quivering Pen
If My Book: What We Build Upon the Ruins, on Monkey Bicycle
I'm delighted to be reading at the 2017 Lit Crawl in San Francisco on October 14 at 5:00 PM at Casanova Lounge. The reading is sponsored by Identity Theory, which is one of the more kickass literary journals out there.
If you live in the Bay Area (or if you have a wad of spare cash and a desire to travel to the Bay Area), you should come on out for the festivities. It's an incredible lineup of readers, some of whom I know quite well, and some of whom I'm looking forward to meeting and hearing the day of. As an extra incentive, there will be advance copies of my new short story collection available for under-the-table sale from shady dudes hanging out at the merch table.
This weekend I'll be emceeing the 5 year anniversary party of Chicago's premier indie book publisher, Tortoise Books. The celebration will be Saturday, August 5, from 5:00 pm to 7:00 at Bookends & Beginnings in Evanston (address: 1712 Sherman Avenue, Alley 1).
It's going to be a stellar lineup of writers on tap: Alex Higley, Christine Maul Rice, Zoe Zolbrod, and Gerald (also known as Jerry) Brennan. Each one of these writers is worth a listen on their own, but together? All in one place? Come on, man, that's a monopoly of talent that's patently unfair to the competition. Frankly, there ought to be a law against that kind of deck-stacking.
In short, here are just a few of the reasons you might want to stop by and check out this event:
1. You want to help celebrate the enfant terrible of Chicago indie publishing
2. You want to see some great writers read great work
3. You're a huge fan of Evanston and gosh darnit you just don't get up there often enough.
4. You love checking out new independent bookstores and you've never been to Bookends & Beginnings before.
5. You're an aficionado of superb emceeing.
So many reasons to go. So few excuses not to.
Here at last is the final version of the cover for my forthcoming short story collection. (Big thanks to Daniela Campos for her creativity and patience.) I've debated about whether to go into a lengthy explanation for why I settled on this image for the cover, but I think maybe it's best to just let it speak for itself. So here it is:
The designer is putting the finishing touches on the book cover, so I'll be sharing that soon. Plus, my editor is making the last few adjustments to the interior text, which means the book itself is getting close to being a reality. Thus far, I've gotten some incredibly generous blurbs from some writers I admire immensely. If you'd like to see those, follow this link to The Story Collection page.
In this post, I wanted to share the verbiage my editor came up with to describe the collection:
Like an arrowhead, the title story in this collection pierces through our tough skin to what’s delicate within. It’s the first piece in a triptych that elegantly holds together this stunning collection about love and loss and longing—our feeble human institutions and fragile relationships broken down and rusting; our tender hearts shot through with tragedy and dysfunction but still struggling to find wholeness and healing, or just to keep beating as long as possible in the face of overwhelming sorrow.
I'm pleased as punch to hear someone I respect that much pay my writing such an awesome compliment. So I'll just leave it at that.
Stay tuned for the cover image, which should be good to go sometime this week.
Though I've already spilled the beans on Facebook, I wanted to formally post here that the ink on the contract for my next book is dry. Here are some particulars you can use to keep yourself in the know:
Here's what a couple early readers had to say:
"To touch the heart without even a hint of sentimentality is a tough trick for any fiction writer, and most of us never quite get it right. Giano Cromley not only pulls off this trick, he establishes touching the heart as his own particular genius that distinguishes him from other writers of talent and serious purpose. He makes you feel the depths of your own humanity. These stories are not only great reads, they are an enduring contribution to our literature."
Ernest Hebert -- author of The Dogs of March, The Old American, and ten other novels
"Giano Cromley’s powerful stories feature blue collar characters who make mistakes, race blindly toward disaster, and frequently plunge over the rim into darkness. These are the folks Tom Waits and Lucinda Williams capture in their songs. Survival in the aftermath is the key. "
Richard Peabody -- editor, Gargoyle Magazine
So that's it for now, I will be using this page to provide future updates regarding the official release date, cover info, more early reviews, reading venues and dates, and any other worthwhile announcements, so stay tuned!
This is a repository for all my semi-filtered thoughts on... blah, blah, blah.